This artwork is constructed from printed and precisely die-cut cardstock, assembled into a flexible, blanket-like form that drapes or mounts as a sculptural wall treatment. The underlying pattern is based on Penrose tiles, a set of aperiodic shapes that never repeat — an ideal metaphor for infinite variation and the complexity of perception. The scale of the artwork is variable and can cover large surfaces.

What begins as a flat mathematical pattern becomes a three-dimensional surface, rising and folding in response to light, shadow, and viewing angle. Each unit functions like a facet, contributing to an illusion of movement and depth. The color gradients are printed onto the cardstock before cutting, adding to the shifting effect: the image changes as the viewer moves, invoking a sense of vibration or flow across the surface.

This work plays directly with perspective and illusion, two of the central themes in my practice. It is at once orderly and unpredictable — a blend of geometry and poetry. As a sculptural field, it invites close viewing and spacious contemplation, shifting between architectural logic and the softness of a handmade textile.